Richard Wright’s contributions to Pink Floyd were often understated, but his role was crucial, especially during the band’s rise in the late 1960s and their defining 1970s run. Initially, he had a more prominent presence as a songwriter and vocalist, but as Roger Waters’ creative dominance grew, Wright’s influence waned. By the time The Wall sessions began, tensions ran high, and his disengagement from the project led to his departure from the band in 1981.
Wright later admitted that he had been struggling with personal issues and creative disillusionment during this period. While his interest in Pink Floyd faded, his admiration for Brian Eno’s work only deepened.
In a 1996 interview, he singled out two albums as some of his all-time favorites: My Life in the Bush of Ghosts (1981), Eno’s groundbreaking collaboration with David Byrne, and Remain in Light (1980) by Talking Heads. Wright was particularly fascinated by their innovative use of sampling, drum loops, and complex rhythms, elements that were revolutionary at the time.
Despite never seeing Talking Heads live, Wright regretted missing out on their performances. However, Stop Making Sense, the band’s iconic 1984 concert film, captured them at their peak—perhaps offering him a belated glimpse of what he had admired so much. Though his time away from Pink Floyd was marked by creative uncertainty, his appreciation for music that pushed boundaries never faded.
