Keith Richards’ talents stretch far and wide, but within The Rolling Stones, he’s firmly established as the quintessential rock-and-roll guitarist. While Richards occasionally steps up to the mic, he’s better known for his gravelly tones and riffs than as a vocalist. Still, his admiration for singers across genres and eras has shaped his music, particularly those within his beloved blues tradition.
Richards, like the rest of The Rolling Stones, is rooted in the blues. This shared passion united the band and continues to guide their sound. Yet, Richards’ appreciation for music isn’t confined to one genre. His influences reveal an eclectic taste that spans ska, rock ‘n’ roll, gospel, and soul.
In 2008, Rolling Stone magazine asked Richards to name his 20 all-time favorite vocalists. His list featured legends like ska pioneer Toots Hibbert and rock ‘n’ roll trailblazer Little Richard, showcasing the breadth of his musical palate. However, only four women made the cut, shedding light on his selective nods to female vocalists.
It’s no surprise that Aretha Franklin topped Richards’ list. Dubbed the “Queen of Soul,” Franklin was a vocal powerhouse whose unparalleled ability to express raw emotion made her one of the 20th century’s most iconic singers. Her voice was more than just technically masterful—it was a tool of political activism, resonating with listeners worldwide. Richards, like many, couldn’t overlook Franklin’s monumental influence.
Next on Richards’ list was Ronnie Spector, the charismatic lead singer of The Ronettes. Known for hits like “Be My Baby” and “Baby, I Love You,” Spector’s dynamic voice became a hallmark of Phil Spector’s ‘Wall of Sound’ production style. Her rebellious image as the “bad girl of rock ‘n’ roll” appealed to Richards’ own anarchic tendencies, making her a natural favorite.
Ranked at number 12 was Mavis Staples, a cornerstone of gospel and R&B music. As a member of The Staple Singers, Staples recorded “This May Be the Last Time” in 1954—a song that heavily influenced The Rolling Stones’ hit “The Last Time.” Despite the debt The Stones owe to Staples, Richards didn’t publicly acknowledge her impact until decades later. Nevertheless, her voice and legacy remain undeniable.
Rounding out the list is Bonnie Raitt, a roots singer and guitarist celebrated for her dedication to preserving blues traditions while incorporating folk, Americana, and country elements. Raitt’s versatile discography and emotive vocals earned her a devoted global following—and Richards’ admiration.
While Richards’ list is impressive, some omissions stand out. Nina Simone, with her haunting voice and unparalleled artistry, seems like a glaring oversight. Similarly, Merry Clayton’s searing performance on “Gimme Shelter” remains one of The Rolling Stones’ most iconic moments, yet she’s absent from his list.
Even so, Richards’ selections highlight his deep-rooted love of blues, soul, and R&B—the genres that shaped his legendary guitar style and defined the sound of The Rolling Stones from their inception. By honoring these women, Richards gives a glimpse into the artists who helped inspire one of rock’s most enduring icons.
