The three artists that taught Stevie Nicks how to write

Stevie Nicks

Stevie Nicks, a high school student, discovered a gifted guitarist playing a cover of Barry McGuire’s “California Dreamin” at the Young Life Club in California at the beginning of the 1970s. She ended up harmonizing on the vocal with the musician after becoming instantly attracted to him. The performer then identified himself as Lindsey Buckingham, and the two quickly became romantically involved.

Buckingham and Nicks later joined the British blues-rock band Fleetwood Mac. They contributed to its transformation into a pop-rock phenomenon. Their relationship proved to be crucial. But as the chaos depicted in Rumours attests, their relationship was anything but peaceful.

Before their notoriety and controversy in 1972, Buckingham and Nicks resided at the home of their producer, Keith Olsen. Buckingham frequently had to do housework to make ends meet. As the year came to an end, Buckingham secured a position as the Everly Brothers’ touring guitarist. Nicks wrote “Rhiannon” and “Landslide,” two of her most enduring and well-loved songs, on her notepad while he was on tour.

Nicks has mentioned the Eagles as her and Buckingham’s biggest musical inspiration on multiple occasions. But she looked elsewhere for inspiration when it came to writing songs. In a 2011 interview, she named Crosby, Stills & Nash, Joni Mitchell, and Jackson Browne as her three main songwriting influences.

Nicks acknowledged that the three acts had given her some of the most important songwriting lessons. She mentioned “their phrasing, the way they wrote poetry and the way they set it to music.” “I loved it, so I studied and laid on the floor and listened and read their words.”

Stevie Nicks called her pre-fame years a time of studying music, but it was a labor of love. She acquired the skills needed to pen the lyrics for her early attempts at songwriting by listening to some of her favorite records. She continued, “I never thought of it as studying.” “I simply saw it as – these are my favorite writers and my favorite phrases because it’s difficult to learn how to phrase when you’re a poet.”

Nicks admires Mitchell as a pioneering songwriter. Mitchell taught her how to write from a female perspective and avoid truncating long lyrical passages. Nicks remarked, “Joni taught me that if you sing it right, you can fit thousands of words in every sentence.” Knowing that was helpful because poets generally dislike condensing their sentences.

Despite closely following Mitchell’s career since the late 1960s, Nicks first heard her favorite Canadian singer-songwriter with the albums “Clouds” and “Blue.” Nicks’s favorite album didn’t come out until 1974. Despite being largely disregarded at the time, Nicks and Buckingham had just released their studio album “Buckingham Nicks.” This album contributed to establishing their names in the music industry.

The two had no idea that on New Year’s Eve 1974, they would join Fleetwood Mac in an event that would forever alter their lives. Nick first experimented with LSD before the Fleetwood Mac era. He remembered a positive experience that he attributed to Joni Mitchell’s reassuring voice from her iconic 1974 album “Court and Spark.”

In an interview with Q in 2008, Nicks mentioned the album as one of her all-time favorites and talked about her initial encounter with LSD. “I used acid once, right after Joni Mitchell’s album Court and Spark came out,” the woman recalled. “Although I was in a safe place and listening to that record on the floor, it didn’t take away from the fact that the other two times weren’t as memorable. I was with my producer at his house, with a set of speakers taller than the fireplace. I therefore never repeated it.

Leave a Reply

You May Also Like