Whether you like him or not, Eric Clapton is undeniably one of the most recognisable guitarists in music history. The Surrey native’s vast body of work, whether it be as a solo artist, member of Cream, or with The Yardbirds, attests to his high profile.
Of course, it is hard to overlook the notorious racist outburst that Eric Clapton made in 1976, when the inebriated rock star endorsed Enoch Powell’s ethnonationalist rhetoric. This outburst, which is rife with hate, deplorable remarks, and obscenities, presents a very different image. The former hippie, who is so dependent on African-American music. It raises doubts about what is truly going through his mind. Especially in light of other deplorable remarks he has made in the past.
In reality, though, Clapton’s groundbreaking musical attempts saved him from losing his place to the records of history. He greatly influenced blues-rock, psychedelic music, and virtuoso playing. This is also true of how deeply the blues influenced Western culture and shifted the course of popular music.
The lead guitar on several famous songs, including “While My Guitar Gently Weeps” by The Beatles, “Sunshine of Your Love” by Cream, and “Layla” by Derek and the Dominos, is a testament to Clapton’s unique and expressive style. He was always transparent about his wide range of influences, the majority of which are from the blues genre.
In a 2016 interview with Classic Rock, Clapton highlighted how he closely linked his life story to the blues legends. He named the three guitarists who had the biggest influence on him in his formative years. These were three of the greatest blues musicians of all time: Buddy Guy, B.B. King, and Freddie King. He was very clear that in his early years, he tried to combine their efforts into something new. And as we all know, it was successful.
In response, Clapton said, “No, I was channelling music,” when asked if he was then channelling emotion and a desire to be technically skilled. Channelling the voices of Freddie King, BB King, and Buddy Guy, I was listening to their records and trying to learn from them. I was molding all those guys into a new shape. I believe that was well received. Perhaps those were the objects of projections. Yet, my only goal was to introduce others to the genre of music I cherished, which was classic jazz.
